No Escape
During the brutal beating and attempted murder of Honora Rieper, on the bushy track of the Christchurch Gardens, a passer-by happens to hear the frantic screams of the desperate woman, fighting for her life. As the passer-by sprints toward the direction of the disturbing screams, he is instantly struck by the haunting sight of two teenage girls taking turns at mercilessly beating a helpless middle-aged woman, despite her begging and pleading. The onlooker immediately takes action, despite his sudden panic. “Stop!” he shouts, deeply disturbed by the sight. “No, no!” Pauline cries, suddenly aware as if for the first time as to the extent of her actions as she stares in disbelief at her mother, covered in blood and barely recognisable. Pauline's legs give way beneath her as she crumples to the ground, distraught and in tears, releasing from her hands the stocking that contains the brick. “Paul, Paul,” Juliet gasps, insecurity clouding her face, “What have we done?” The stranger frantically fumbles around in his jacket pocket and pulls out a cell phone, his hands shaking uncontrollably as he dials 111, stuttering as he asks for an ambulance. The two girls huddle together, sobbing and screaming uncontrollably as the shaken man begins to aid Honora, assessing whether or not she has managed to survive the ruthless attack. It is hard to tell.
Not long after, the medics arrive and hurriedly carry the woman, barely fighting for her life, away on a stretcher.
Fade to black. Next scene:
When Honora finally emerges from her coma three weeks later, the news of her severe brain damage is not a surprise to Herbert Rieper, because in his heart he already knew. He gazes into the distance as he once again experiences the disturbing events of that day all over again – the haunting phone call received from the police at the time his daughter had been taken in for questioning, the trip to the hospital after discovering his wife may not survive the severe beating inflicted upon her.
Flashback:
Her confession at the police station when taken in for questioning is enough to bring all investigations to an end. “I didn't intend for it to happen like this. This wasn't supposed to happen!” Pauline breaks down and sobs uncontrollably. “We were supposed to be together forever. We were supposed to go to South Africa. She didn't want to do it. She only did it because she didn't want to lose me. She knew it was either me or my mother. This was the only way.”
Back to scene at hospital:
“Mr Rieper? I know this is not easy to accept, but you will get through it. You have a lot of support out there.” The doctor's soothing voice draws Herbert back into reality, back to the realisation that his daughter's court proceedings would be beginning soon. She was up against two to three years imprisonment for attempted murder, her age preventing a harsher sentence. He could not ignore his persistant feelings of guilt though that he was partly to blame. He should have noticed the gradual changes in Pauline from the day she met Juliet Hulme for the very first time. He should have recognised the warning signs that something was not right – the withdrawal, the moody behaviour, the increased time spent with Juliet, the poor school grades. However, he thought nothing of it when Honora attempted to share with him her growing concerns regarding the intensity of the relationship. Now he was torn between his wife and his daughter. He felt he could not support both thus his refusal to visit Pauline in the lead up to her court proceedings meant that he had not seen her since before the dire incident. It was almost certain that Pauline would be sentenced to imprisonment. Herbert's deepest fear was that he would be left without his wife and daughter and his saddest realisation was that this fear was coming true. The wife he grew to love was not bound to a wheelchair – unable to speak, unable to dress herself, incapable of simple day-to-day tasks.
From the minute his wife had been diagnosed with severe traumatic brain injury, placing her into the care of a home had never once been an option in his eyes. “In sickness and in health” – he would never break his promise to the woman he loves.
5 years after Pauline's release from prison:
No matter what I do in an attempt to make ammends for my sin, no matter how much I witness my mother suffer as I care for her 24 hours a day, I will never be able to escape from the damage I caused, or the lives I ruined. After Dad died of a sudden heart attack, presumably as a result of intense grief, Mum was put into a home. When I was released from prison a year later, under the condition that I never communicate with Juliet again, I knew in my heart that it was my duty to care for her. In our delusion, we did only what we believed would hold us together, as we saw no other escape. Every time I look Mother in the eye I can only see what could have been, and I deprived my own flesh and blood of that, the only ones in the world who would have done anything for me.
I will never be able to escape from what I did.
I really like this. Good starting, i was a tad confused on who pauline was and who the father w3as and that at the start but once i started getting more indepth with it, it came clear so quick. I would love to give feedback on how to change things but im quiet stumped, so must be good storyline. I was just wandering though, what was the whole flashback peice about, and who'z juliet exactly? Are Pauline and Juliet a item??? Good draft though!
ReplyDeleteChelz
Hi Chelz thanks for getting back to me. Just to clear a few things up, Pauline and Juliet met at school and very quickly became best friends. Their friendship became very intense so I guess you could say they were an item. However, when you watch the movie they become obssessed with each other and do not want to be separated. They are more dependant on each other than an actual item. Hope that clears some things up. Just any ideas or criticisms you have would be much appreciated. I don't mind if it's negative becuase I am kind of lost for ideas now and need some opinions.
ReplyDeleteSorry forgot to explain the flashback. The flashback is just one scene so that the viewers of the film are able to see what happened when Pauline was taken in for questioning.
ReplyDeleteThats cool, I got that impression about pauline and juliet just thought i'd ask. but i really like how you've structured it, makes it easy to track and read. Thats so sad about the dad, i felt for him so badly awww nearly bought a tear to my eye good work on that. Maybe include the relationship breifly between juliet and pauline how you explained to me in the story on how infactuated and possesive they are of eachother to lead to something so HARTY as the bashing. If that helps a tad with ideas but other than that i like it, the end gets real intense aye.
ReplyDeleteGood Stuff. :)
Chelz
hey,
ReplyDeleteI really like the way you have structured it it is a great start. The end is emotionally charged and paulines greif and remorse are evident with regards to her mother but her father? maybe the grief etc is lacking their? it is kind of just stated with no emotion attached with the loss.
I also like the way the reactions and consequences with each character are narrated.
does that make sense lol anyway i thimk it is awsome.
Hey guys thanks for your feedback. I know it is hard when you haven't seen the movie. Chelz, in my final copy I tried to incorporate your idea about including the intensity of the relationship and how it led to the attempted murder in the flashback. Jasmine, I agree with you that I did not touch on Pauline's grief in the conclusion regarding her father. I realise that I sort of stated things rather than discussing Pauline's inner feelings. I tried to incorporate her inner feelings and regrets regarding her whole family in my final copy.
ReplyDeleteThanks